| BAYOU
BAR SCHEDULE |
| JUNE
30 |
JULY
01 |
JULY
02 |
JULY
03 |
| 05:30
|
COBBLESTONE JAZZ (BC) |
| The nature of their music balances electronic composition with a live and moving element that results in the exploration of many different styles from jazz and dub to breakbeats and many points in between.
|
| 07:00
|
TYLER
DHULA (BC) |
|
DJ Set |
| 08:15
|
JAMIE
LIDELL (UK) |
|
This boundary-breaking, British soul vocalist constructs his tracks live with an extraordinary combination of laptop hijinks, scat vocals and a molecule-vibrating voice.
His genre-blending live experience is both captivating, and passionate. He builds tracks by expertly sampling and layering loops of his voice and shifts effortlessly from deranged beat boxing to soulful funk.
|
|
| 05:30
|
DJ
NANA (ON) |
| He
has been spinning records for over 10 years and has become
a force to be reckoned with. He has the capacity to read
the hearts and minds of the crowd and has the natural ability
to find the perfect string of sound. |
| 07:00
|
ZAKI
IBRAHIM (BC/ON/SOUTH AFRICA) |
|
Twenty-five years, four continents, and several generations
in the making, Zaki Ibrahim's music is captivating and vibrant.
It's thick with poetics, and steeped in a delicious mixture
of earnest emotion and humor. |
| 08:30
|
TUMI
AND THE VOLUME (SOUTH AFRICA) |
| Hip
hop has its origins in the storytelling rhythms of African
griots, and as globalisation returns the music to its roots
in a roundabout way, Tumi and the Volume bring a contemporary
South African flavour to the genre with influences from
rock to hip hop, dub to Afro-jazz. The members of the group
are equally as diverse in their musical backgrounds, influences,
and expressions. The collective result is a sound that lingers
over lines of new-school hip-hop, beat poetry and funked-up
jazz. |
|
| 05:30
|
JESSE
SYKES AND THE SWEET HEREAFTER (USA) |
| Jesse
Sykes has the perfect voice. It expresses longing, heartbreak,
and existential loneliness with powerful understatement.
Live, she is a quiet storm, moving with her atmospheric
songs while transforming the crowd. |
07:00 |
THE LONG WINTERS |
At times sparse, at times warmly lush, The Long Winters are always intensely beautiful, stretching from simple vocal-and-guitar folk balladry to orchestral grandeur to band-driven electro psych-pop. As John Roderick of the Long Winters says, “I like chairs that don’t creak and songs that don’t suck. There’s a lot of music being made as an accessory now, but there will always been a need for actual songs.” |
| 08:30
& 09:25
|
AQUEDUCT
(US) |
| At
a point in time when a person can create, record, manufacture,
and distribute there own music, Aqueduct becomes quintessential
bedroom rock. Stuck somewhere between lo & hi-fi, a love
of beats, melody, and clever songwriting come together with
keyboards, drum machines, buzzing guitars, and bass lines.
|
|
| 05:30
& 06:45
|
FREEFLOW(BC) |
| They
tout themselves as praqctitoners of urban rock; a unique
blend of hip hop , soul reggae and rock. They are known
coast to coast as a 'must see' act with dynamic grooves
that will get everyone dancing |
| 08:15
|
JOSH
MARTINEZ (BC/USA) |
|
Known for his wild, high energy live performances, exquisite
word play and smooth melodies, this Vancouver Hip Hop artist
has been tearing up the underground music scene. He has
become known as one of the best live performers around and
last year he took home the Best Rap Recording at the 2005
Western Canadian Music Awards. |
|
| JULY
04 |
JULY
05 |
JULY
06 |
JULY
07 |
| 05:30
&
06:30
|
VINCE
VACCARO (BC) |
| Playing guitar since the age of eight, and completely self-taught, Vince has been writing music for over ten years. He writes his memories with six strings, seventy-four keys, or whatever else is lying around near him.
|
| 08:00
&
09:00
|
GREG
MACPHERSON (MB) |
| Good
Times Coming Back Again takes Canadian lyricism, working-class
activism, and filters them through a mighty voice, a dynamic,
versatile band. Folk conventions are tossed by high-volume
rock and acoustic punk punch, and then the rock and roll
is spliced into finger-plucked acoustic guitar, quiet contemplation.
|
|
| 05:30
|
LEROY
YOUNG (BELIZE) |
| The
Grandmaster (Leroy Young) is Belize's finest dub-poet, with
hard, heavy rhythms, intense melodies and a stream of verbal
onslaught of political, social and introspective poetry.
He brings us a raw, local sound by accompanying his best-known
poems with an eclectic mix of instruments ranging from Creole,
Garifuna and African percussions to Maya K'ekchi' guitars.
|
| 07:00
&
08:15
|
CADENCE
WEAPON (AB) |
| Only
19 years old and has already received critical acclaim for
his debut release Breaking Kayfabe. Cadence Weapon, real
name Rollie Pemberton, has managed to bridge the gap between
different musical genres and has made a name for himself
with his unique brand of intelligent rap. |
| 08:45
|
K'NAAN
(ON/SOMALIA) |
|
Leaving Somali at age 13, K'naan began writing rap verses
the instant he learned English. With his unique voice and
truly authentic style, K'Naan brings an enormous dose of realness
and urgency to the hip-hop world in a time when people are
desperate for it. This year he received a 2006 Juno Award
for Rap Recording of the Year. |
|
| 05:30
& 07:45
|
TANYA
TAGAQ (NUNAVUT) |
| She
began throat singing, a traditional Inuit vocal game between
two women, during her final year at The Nova Scotia College
of Art and Design. Having no partner to sing with, Tagaq
developed a contemporary and emotional style of her own.
She has since toured internationally with Icelandic legend,
Bjork, won Best Female Artist Award at the Canadian Aboriginal
Music Awards, and has been nominated for a Juno. |
| 06:30
& 08:45
|
SEKOYA
(BC) |
| This
jazz, fusion, funk, broken beat, D&B and Acid Jazz band
were nominated for a Juno in 2005 for the Contemporary Jazz
Award and received a CMW Indie Award for favorite Electronic
Band 2005. |
|
| 05:30
|
DJ
SALAMANDER (BC) |
| As
a member of Stir Fry Collective, a local hip hop institution,
DJ has played alongside music legends like De La Soul, Swollen
Members and Buck 65. |
| 06:45
|
LADYBIZNIZZ
(BC) |
| A
house-rocking, seven-piece band that melds the sound and
instrumentation of funk fusion with the irresistible drive
of house. Winner of the 2001 Prairie Music Award for Outstanding
Urban Dance Recording. |
| 08:00
|
DUBBLESTANDART
(AUSTRIA) |
| Dubblestandardt
transplanted dub from Jamaica to Vienna. The collective began
in 1990 and since then they have been producing dub; emphasizing
the vintage attributes of the style such as sound flexing
tools, analog delays, and synthesizers. This is a journey
through reggae and dub with a cosmic flavour overall. |
| 09:00
|
DUBBLESTANDART
WITH ARI UP (AUSTRIA/JAMAICA) |
| Former
Slits front woman Ari Up, still has the ability to forcibly
incite your senses. The Queen of Punk Reggae, takes Brooklyn
beats and Jamaican polemic and moulds them around bouncing
horns and deeply wrought grooves. |
|
| JULY
08 |
JULY
09 |
|
|
| 05:30
&
06:30
|
THE
BUTTLESS CHAPS (BC) |
| An
imaginative and seamless journey from traditional country
to new wave to punk. The honest enjoyment the Chaps get
from playing their music is evident in their eclectic and
vibrant live shows. |
| 08:00
&
09:00
|
CAROLYN
MARK (BC) |
| Growing up in Sicamous, British Columbia, country-rock songstress Carolyn Mark is yet another great talent from Canada's west coast. Having worked her way through several unfulfilling group ventures, Mark broke off in '98 to pursue her solo career, which has since spawned three albums that are all solid excursions into her unique mixture of country, bluegrass, rock, rockabilly, and folk. |
|
| 06:00
&
07:15
|
MOTHER
(BC) |
| Formed
at Vancouver Community College, Mother is making waves across
the country with their clever and catchy tunes, lush harmonies
and unusual cords. An out-of-the-box sound which plays with
multiple genres-sometimes poking fun, and at other tiomes
using these genres to establish the setting for cheeky lyrics. |
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